In the meantime, enjoy the responses I have made to other prompts.

Thursday, October 6, 2011

A Shadorma poem






Just Wondering


Why are we
Often reluctant
To offer
Each other
Something as free and catching
As a friendly smile?





The Shadorma poem has 6 lines. The syllable count is 3/5/3/3/7/5. Rhyme and meter are not required.


Image: http://vladimirbulgaru.files.wordpress.com/2010/12/baby-smile.jpg



Saturday, October 1, 2011


Ode to Sleep

You draw the curtains on my day
And let my mind’s subconscious play,
Transposing thoughts to play a part
In dreams that look like abstract art.
Oh how I welcome your relief,
Though slow to come, and oft too brief,
As consciousness is loath to cede,
Regardless of how hard I plead.
But yield it must: give up control!
I earned the rest; I’ve paid my toll. 
Oh sleep, sweet sleep come visit me
And set my troubled psyche free!

Monday, September 26, 2011

You may ask yourself, like I did, why must there be winter? A Greek myth retold...

Blame It on Persephone!

As icicles clung to the frost-coated trees
I trudged through the snowdrifts that covered my knees,
I spoke to my mother, the wisest of all,
 “Please could you tell me why spring turns to fall?
And, pardon me Mom, I don’t mean to sound glum,
But why is it each year the winter must come?”

That’s when mother said to me,
“Blame it on Persephone!”

“Say what?”  I said, “Persefon-who?”

“Sit down; I’ll tell her tale to you…

Remember all those years ago
When Greek gods traveled to and fro?
When fathers ate their children whole,
And cousins played the spousal role?”

“Uh, sure,” I said.  I guess I knew;
I’d heard those myths a time or two.

“Demeter the mother, the fourth wife of Zeus
(She’s also his sister – those Greeks played it loose),
Gave birth to one daughter, a beautiful child
Who skipped through the fields and drove the boys wild!

The world was her playground and springtime yearlong,
With flowers a’ plenty and birds filled with song.
No mother could wish for a more perfect state
Until that one moment – when then walked in fate.

Like a fault in an earthquake, the field split in two,
And Hade’s black chariot came barreling through;
He whisked up the maiden, who’d no chance to hide,
And took her down Under to make her his bride.

Though Zeus had some inkling of what’d transpired
Demeter was clueless, distraught, and quite tired.
She traversed the earth, for days upon days,
Just hoping for news of her daughter’s lost ways.

Demeter the mother who held nature’s strings
Shut off all the water to all of earth’s springs;
The plants could not blossom; the seeds could not grow
Because poor Demeter missed Persephone so!

She sought out the sun god, who oversees all,
And asked if he’d witnessed Persephone’s fall.
‘Don’t be dismayed Queen,’ god Helios replied,
Your daughter’s quite safe in your realm’s underside.

'Hades your brother, engrossed by her charm,
Captured your daughter, yet means her no harm.
His intentions are honest; the girl could do worse,
Then a man of his stature, and a man of his purse.’

‘Don’t worry he tells me?’ Demeter bewailed,
‘My daughter’s a prisoner; in darkness she’s jailed!
And so it shall be for as long as she’s there –
The earth will be barren; we ALL will despair!’

And just when it seemed as though life were to end
Zeus intervened and chose Hermes to send,
Hermes his son, made the trek down below,
To ask if his uncle would let his wife go.

It took some convincing, but Hades concurred,
Two-thirds up in sunshine, in darkness, one third,
The reason the girl wasn’t totally freed?
Persephone ate of that cursed “apple” seed!

And so it is said, for two-thirds of the year
Demeter’s quite happy, and spreads nature’s cheer,
But for those few months when without her she’ll dwell,
It happens quite lit’rally – all spring goes to Hell!”

Sunday, September 25, 2011

Thoughts after taking a walk this morning and meeting up with people I haven't seen for a while...



Like vines,
friends branch out,
but stay
connected
through their roots.




image:  http://www.tattoospot.com/data/media/79/vines-heart.jpg
Form: English Tanka - it is shorter than the Japanese Tanka but the rhythm is the same. Only 13 syllables total. No rhyme or meter required

The syllable scheme is as follows:

Line 1: 2 syllables
Line 2: 3 syllables
Line 3: 2 syllables
Line 4: 3 syllables
Line 5: 3 syllables

My attempt to deal with recent happenings in our church...

Who’s to Blame?

Though priests are known as men of God,
on sin they trod;
Some filled with lust
Betray our trust.

If chosen by the faith they show,
we have to know:
how could God make
this grave mistake?

In time, when wounded try to heal
God will reveal:
He does not plan
the will of man.

For Poet's United Thursday Think Tank

Purification

I want to wash my cares away,
To take the pressure off my brain,
To live with peace for just a day,
By dancing naked in the rain.

I want to cleanse my soul of sin,
To clean out ev’ry guilty stain,
With restored heart I will begin
By dancing naked in the rain.

I no more want myself to hide;
In holding back there is no gain.
In who I am I will take pride
By dancing naked in the rain.

I want to wash my cares away
By dancing naked in the rain.






Image: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwBaxxlwvLaSHWdNbbip1x6Hu8moItt_-hwsET6vjMrNHQbB6Zx7QdIwRaMJe4-ojObpCTtMvc7VRiNLEfVbcrGbV_LOdj7IjgqLdMUoG2usBLRHrx9Qoa58jnTV9F62B66H1uVvbUL8EX/s400/raindrops.jpg



The Kyrielle Sonnet was once a very popular French form of poetry starting back in the middle ages. It normally has fourteen lines. It consists of three rhyming quatrain stanzas and a non-rhyming couplet at the end. The sonnet has a repeating line or phrase as a refrain in the last line of each stanza, which must rhyme with the preceding line. Each line within the sonnet consists of eight syllables. The sonnet was first used by the French with the first and last line of the first quatrain normally as the ending couplet. This process reinforces the refrain within the sonnet. The rhyming scheme for the Kyrielle Sonnet normally is consists of the following pattern: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB. Each quatrain normally ends with the same phrase, word or line. Normally, French poetry forms link back to the beginning of the poem; as a result, a standard practice is to use the first and last line of the first quatrain as the ending couplet. This serves as a reinforcement of the refrain in each stanza.

Sunday, September 18, 2011

Insight


When I look into your eyes
I see beyond your thin disguise
And learn the truth behind your lies.